8.- Latin for Drummies – Near Cuban Interpretation of Candombe.
This approach has the main goal of creating a link to Cuban drum audio.
So, we’re gonna use a cowbell to make our ostinato combining it with a pattern played with hihat’s foot on a jam-block with a bracket.
For the ostinato, we’ll use two different tones. An “open tone” (O), playing the cowbell at the “mouth” (opened side) part and making a “closed tone” (C) playing the cowbell in the “back” (the middle).