Ghost Notes: How to practice?…with the GNFB!
Many years ago I made a recording…and I can assure you that it wasn´t pleasant to hear in the studio that my Ghost Notes…weren´t ghosts at all!
When I found myself with this difficulty, I searched for Information about this subject to clarify my doubts and I wrote this exercise to develop this tool.
First of all…PLAY THEM! And with this (easy thing)
I mean the concrete exercise of choosing a Groove, picking up the notes that you want to accent and by contrast playing the rest of them as Ghost Notes.
This exercise is inspired by the exercise called “Fat-Back” from Gary Chafee.
For this we combine the different 16th notes Groupings on the Hihat with a Snare Drum Base.
For this Snare Drum Base we play all the 16th Notes of the bar as Ghost Notes but only beats 2 and 4 (the Backbeat) as Accents.
Notice that the Ghost Notes – written ( ) – should be played on the center of the Snare Drum and 2cm away from the Drum head)
Combining them like this:
1. Set up a Metronome with the desired speed
2. Play the Snare Drum Base with the 1st 16th notes Grouping as ostinato on the Hihat.
3. Incorporate – into the Base, as explained on the previous point – the first 16th notes Grouping with the Bass Drum and play 4 bars of it.
Then play 4 bars of the same Base but with the second 16th notes Grouping with the Bass Drum and so on till you´ve played 4 bars with each Grouping without Pauses or Breaks or Mistakes.
Here´s an Example of the first 8 bars of the Exercise:
4. Then we´ll play the same Snare Drum Base with the second 16th Notes Grouping as Ostinato on the Hihat and we´ll repeat the procedure explained in the previous point with all the 16th Notes Grouping using the Bass Drum.
5. We can repeat the same exercise, but instead of playing the 16th notes Groupings as ostinato on the Hihat, we can do it with the Ride and close the Hihat on the beat.
Here´s the same example of the first 8 bars, but with the Ride and the closed Hihat.
Once we do all the steps and play all the possible combinations, I propose you take the exercise one step further!
In real life, that when we play a song or concert or we rehearse, we should be able to play different Grooves with different rhythmic figures on the Hihat, as well as on the Ride.
Using the same Snare Drum Base and the different 16th Notes Groupings previously explained as Ostinato for the Hihat and the Ride, we´ll play the 8 Lessons of the Syncopation (Ted Reed) with the Bass Drum.
To do that, we play the Rhythms written with 8th Notes as 16th Notes. Here´s an example about how to do it with the first two bars of the first Lesson:
Written on the book:
As an example, we play the Snare Drum Base with the first 16th Notes Grouping on the Hihat and we add the Rhythm of the first 2 bars from the first lesson with the Bass Drum:
Again, we can repeat the same procedure, but playing the 16th notes Groupings with the Ride and closing the Hihat on the beat:
In this way we play with the Bass Drum the 8 Lessons from the Syncopation with all the 16th notes Groupings on the Hihat and on the Ride with the closed Hihat.